Fall 2000

Sarah Hall Studio
Sarah Hall fell in love with stained glass as a child watching her father serve on their church’s window search committee. A major decision long ago to accept only large, original commissions has had a great influence on the direction she has taken. Sarah has a preference for full antique glass and describes her style as lyrically abstract.
by Kim Blagg

You can find the rest of this article in the Fall 2000 issue of Profitable Glass Quarterly.

Fall 00 – Buy Now!